Richie Havens Something Else Again Full Album
Richie Havens wasn't scheduled to be the opening act of the Woodstock festival, just, in retrospect, it is hard to imagine anyone else doing information technology.
Celebrating the 50th anniversary of the Woodstock festival, August 1969–2019
Solar day One, Performer One: Richie Havens
Performed Friday afternoon, August 15, 5:00–v:45 p.m.
Richie Havens Ring Members
- Richie Havens: guitar, vocals
- Paul "Deano" Williams: guitar
- Daniel "Natoga" Ben Zebulon: percussion, congas
Richie Havens Woodstock Setlist
- From the Prison/Get together/From the Prison
- I'm a Stranger Here
- Loftier Flyin' Bird
- I Can't Make It Anymore
- With a Little Assistance from My Friends
- Handsome Johnny
- Medley: Strawberry Fields Forever/Hey Jude
- Freedom (incl. Motherless Child)
The time for the festival to showtime had come and gone, all the roads leading to the festival were hopelessly congested with cars and people, and the audience was getting restless. Richie, Deano, and Daniel had been flown in by helicopter, and their setup was minimal, then festival organizers urged them to take the phase. The rest is history. Richie Havens grew up in the Bedford-Stuyvesant section of Brooklyn. His parents instilled in him a love of music, and in his teens, he formed and nurtured several doo-wop groups that regularly performed on street corners and local talent competitions. He was attracted to the creative temper of Greenwich Village, with its Crush poets, comedians, musicians, and artists, and in 1961 he made the move. He drew portraits of the tourists in the Village past day, and he frequented the coffeehouses and clubs by dark. He taught himself to play guitar to accompany the poetry he was writing, and began playing at Café Wha? and other Village clubs, ofttimes playing multiple sets at multiple clubs each night. He likewise made lasting friendships and connections with the other vocaliser/songwriters and industry insiders. Richie quickly gained a reputation for his genuine, energetic performances in the Hamlet, interpreting others' songs and interspersing his own compositions. He describes his playing way in his autobiography equally follows:
Instead of placing my fingers in the right places on the right strings to make traditional chords, I inverse the tuning of a few strings to brand a complete chord without pressing down on the fret board at all. By tuning the guitar in this mode—to an "open chord"—and by strumming all 6 strings together, it took me all of ten seconds to realize I could slide my thumb along the neck of the guitar to brand dissimilar chords at every fret stop. …When I learned a song, I automatically felt the tempo to sing it; the strumming was there to fill in the gaps between lines and to emphasize anticipations, pickups, and turnarounds. The other odd thing was that my left human foot became my torso metronome. I tapped it heel to toe, which gave me a rhythm to play the guitar against.
In 1963, Richie met Albert Grossman, the human who would make stars of most of the major Greenwich Hamlet musicians: Bob Dylan, Odetta, Gordon Lightfoot, and Peter, Paul and Mary, to name a few. Grossman suggested that Richie record some of his songs, and Richie signed a production contract, giving him the studio fourth dimension he needed. Over the next three years, none of the recordings were released, and the arrangement didn't result in any bookings or tours. Merely Richie continued playing to larger and larger audiences and paying his dues. Richie's large break came in 1967 when veteran record executive Jerry Schoenbaum created the Verve Folkways characterization at MGM Records. The starting time four artists on the new label were Janis Ian, Tim Hardin, The Blues Projection, and Richie Havens. Schoenbaum advised Richie to avert a purely folk album and, instead, suggested that he record what he was really playing in the clubs: a mixture of ballads, folk songs, blues, and jazz. The resulting album, Mixed Bag was released in late 1967 and included The Beatles' "Eleanor Rigby," Dylan'southward "Just Like a Adult female," Billy Ed Wheeler's "High Flyin' Bird," Jerry Merrick's "Follow," and "Handsome Johnny" by actor and long-time Havens friend Lou Gossett, Jr.
Mixed Handbag sold well and was critically acclaimed. Richie played "Handsome Johnny" on The This night Show, receiving a standing ovation from the studio audience that lasted through the commercial break, and Johnny Carson asked Richie for some other song AND invited him back the following night.
The follow-up anthology, Something Else Again, was released in 1968 and solidified Richie's reputation and popularity, and in 1969, equally he was completing Richard P. Havens: 1983, his third anthology of a three-record bargain with Verve Folkways, his relationship with Albert Grossman began to sour. Richie negotiated a deal with MGM for his own label, and Grossman was out of the motion-picture show. Richard P. Havens: 1983 (the title is a reference to George Orwell's book, 1984, and a alert that there is yet time to change, merely time is running out) was released in May 1969 and reached #fourscore on the Billboard Top 200 chart. Information technology was at this moment in Richie Havens' career, as he was achieving artistic and commercial success and was asserting his potency to set his own direction, that he was booked for the Woodstock Music and Art Fair to be held in upstate New York.
The Woodstock festival had been scheduled to brainstorm on Friday afternoon. Sweetwater was the planned outset act. The audience had been streaming onto the festival site for days, in numbers far exceeding expectations, and traffic had already clogged all roads leading to the festival for dozens of miles. Sweetwater and their equipment were stuck in Liberty, normally a 20-infinitesimal bulldoze away, but now attainable only by helicopter. Richie and his bandmates, Deano Williams and Daniel Ben Zebulon, had been flown to the festival site in a pocket-size helicopter that landed backside the stage. Tim Hardin was also on-site, along with a few other performers. As the start time came and went, Michael Lang pleaded with Hardin to take the stage and open the festival. Hardin adamantly refused, reminding Lang that he was supposed to go on 5th. Lang appealed to Richie, who finally, reluctantly agreed, telling the festival promoter that he would owe him big-time if anyone threw any bottles at him. Richie'south bass player, Eric Oxendine, was withal stuck in traffic, but Richie agreed to perform without him.
At approximately 5:15 on Friday afternoon, Richie, Deano, and Daniel walked onto the all the same unfinished stage, sabbatum down, and began to play their xx-minute set up. They opened with "From the Prison" from Richie's Something Else Again anthology, with a bit of the Youngbloods' "Get Together" thrown in for good measure. He followed with "I'm a Stranger Here," which was one of the demos he recorded before signing with Verve Folkways. He ended his set with two songs from his debut album, "High Flyin' Bird" and "I Can't Get in Anymore." Notwithstanding with no act fix to follow Richie, Michael Lang convinced him to exercise an encore. Richie attempted to play "With a Lilliputian Help from My Friends," the Beatles cover from his newly released 1983 album. He obviously had trouble remembering the lyrics, so he asked the audience to sing forth. Afterwards in the festival, Joe Cocker would likewise perform the song, creating one of the most memorable moments of Woodstock. Richie then redeemed himself with a second encore, a performance of "Handsome Johnny" from Mixed Bag. He returned for a third encore at Michael Lang'south insistence, a medley of the Beatles' "Strawberry Fields Forever" from his 1983 anthology and "Hey Jude."
Finally, wearied and at a loss to recollect whatsoever additional songs, Richie Havens began playing a guitar groove. The discussion "liberty" came to his mind, and he began singing. He added a few lines from the traditional song, "Motherless Kid," and a new song, an anthem for the Woodstock festival, was created live on phase. The vocal, "Liberty" was immortalized in the Oscar-winning 1970 documentary film, Woodstock, and the film's soundtrack anthology and became a staple of Richie's performances the balance of his career. Richie told the story many times about having to go to the theater and watch the movie to learn the vocal he had extemporaneously written on the Woodstock phase. Woodstock was a defining moment for Richie Havens, and he would reference his performance at the festival for the rest of his career.
Guitarist Paul "Deano" Williams accompanied Richie throughout his career, also contributing to a 2000 Pete Farrow album. Daniel Ben Zebulon is still agile as a musician and has played percussion with Andy Gibb, Stevie Wonder, Dionne Warwick, and the Bee Gees. Over his career, Richie Havens released 24 albums, including the well-received Stonehenge (1970), The Neat Blind Degree (1971), and Alarm Clock (1971) on his own characterization and a number of albums on various labels. He would release his final album, Nobody Left to Crown, in 2008. He was a tireless alive performer who thrived on personal contact with his fans. In improver to his music,
Richie Havens devoted his life to educating young people most ecological issues. He co-founded the Northwind Undersea Institute, an oceanographic children'due south museum in the Bronx, and helped create The Natural Guard, an organisation described every bit "a fashion of helping kids learn that they can take a hands-on function in affecting the surroundings." Havens died on April 22, 2013, at the age of 72, and his ashes were spread on the site of his honey Woodstock festival, hither at Bethel Woods, at a memorial service attended by many of his friends, family unit, and fans on the 44th anniversary of the last day of the festival.
—Wade Lawrence & Scott Parker
More Woodstock Performers
Desire to larn more than near the musical artists and groups that performed at Woodstock? We accept information most all of them! Whether yous're interested in Santana, Janis Joplin, Canned Heat, or Tim Hardin, you lot'll find it all correct hither!
Source: https://www.bethelwoodscenter.org/blog/richie-havens
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